Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930

Noble Dreams, Wicked Pleasures explores complex American attitudes toward the Near East as revealed in collected paintings, interior design, and multiple vernacular forms at the formative moment of industrialization and the crystallization of a truly mass culture Published to coincide with the multimedia exhibition that opens at the Sterling and Francine Clark Art Ins Noble Dreams, Wicked Pleasures explores complex American attitudes toward the Near East as revealed in collected paintings, interior design, and multiple vernacular forms at the formative moment of industrialization and the crystallization of a truly mass culture Published to coincide with the multimedia exhibition that opens at the Sterling and Francine Clark Art Institute and travels to the Walters Art Gallery and the Mint Museum of Art, this catalogue considers how urban, mercantile, Protestant America represented the Islamic world of the Middle East and North Africa in ways that say about itself than the foreign culture.This gorgeously illustrated volume first looks at the use of Orientalist stereotypes by some of the country s most important high art painters of the nineteenth century Frederic Edwin Church s treatment of the exotic terrain through a lens of deep religiosity a cosmopolitan reading of the harem girl by John Singer Sargent the perfumed alternative to industrial capitalism conjured in the landscapes and market scenes of Samuel Colman and Louis Comfort Tiffany and interpretations of the Orient as emancipatory by Ella Pell, the only major woman Orientalist The book next traces the popularization of Orientalism in the decorative arts including a few treasures from Olana, Church s Moorish style home on the Hudson , on Broadway, and in Hollywood, as well as through advertising that linked consumer products with visual suggestions of exotic sexuality and through cultural objects, such as the Shriners fez.The generous color plates show both an innocent romanticization of the Orient and a darker, heavily eroticized version of Oriental otherness An excellent chronology and bibliography, in addition to expert essays by both Americanists and Islamicists, give context to absorbing images Though a perfect companion for visitors to the exhibition, Noble Dreams, Wicked Pleasures is also for anyone seeking an uncommon take on the development of American self understanding.Exhibition Schedule The Sterling and Francine Clark Art Institute Williamstown, MassachusettsJune 11 September 4, 2000The Walters Art Gallery Balti, MarylandOctober 1 December 10, 2000The Mint Museum of Art Charlotte, North CarolinaFebruary 3 April 22, 2001
Noble Dreams Wicked Pleasures Orientalism in America Noble Dreams Wicked Pleasures explores complex American attitudes toward the Near East as revealed in collected paintings interior design and multiple vernacular forms at the formative moment of in

  • Title: Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930
  • Author: Holly Edwards
  • ISBN: 9780691050041
  • Page: 163
  • Format: Paperback
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    1 thought on “Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930”

    1. Not surprisingly, the most pervasive influence in Noble Dreams, Wicked Pleasures: Orientalism in America, 1870 - 1930 is that of Edward Said whose 1978 study Orientalism led to a major reevaluation of the manner in which the Moslem peoples of North Africa and the Near East had traditionally been viewed by the inhabitants of Europe and, to a lesser extent, the U.S. On the most basic level, Said posited a political agenda that willfully introduced cultural misconceptions and stereotypes of the Nea [...]

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