Numărul zero

In anii 90, un om de afaceri dubios stringe un grup de ziaristi pentru a pregati un numar de proba numarul zero al unui cotidian dedicat mai putin informarii publicului, cit santajului si discreditarilor Unul dintre redactori, cu vizibile tendinte paranoice, se invirte printr un Milano halucinant in imaginatia lui si reconstituie istoria celor cincizeci de ani trecIn anii 90, un om de afaceri dubios stringe un grup de ziaristi pentru a pregati un numar de proba numarul zero al unui cotidian dedicat mai putin informarii publicului, cit santajului si discreditarilor Unul dintre redactori, cu vizibile tendinte paranoice, se invirte printr un Milano halucinant in imaginatia lui si reconstituie istoria celor cincizeci de ani trecuti de la incheierea celui de al Doilea Razboi Mondial pornind de la un plan urzit in jurul cadavrului terciuit al unui fals Mussolini O atmosfera de conspiratie invaluie totul, sint invocate Operatiunea Gladio, loja masonica Propaganda Due, asasinatul papei Ioan Paul I, lovitura de stat a lui Junio Valerio Borghese, CIA etc Apoi, pe cea mai strimta si mai rau famata straduta din Milano, e descoperit un cadavru, iar intre cei doi protagonisti un scriitor fantoma falit si o jurnalista nevoita sa lucreze in presa mondena pentru a si ajuta familia se naste o firava poveste de dragoste Odata cu atmosfera specifica romanelor lui Eco, Numarul zero lasa sa se vada, cu o amara eficienta, partea intunecata a vietii Italiei de la inceputul anilor 90 Povestea e plasata la Milano, in plin scandal Tangentopoli si in mijlocul investigatiilor din ancheta Mani pulite In haosul politic provocat de aceasta ancheta, un om de afaceri pune pe picioare un ziar gindit sa alimenteze calomnii la adresa adversarilor sai si sa i santajeze pe potentatii zilei Ziarul este o masina de improscat noroi cu nimic diferita de ceea ce vedem astazi Acesta este cadrul in care Eco reconstruieste, urmarind intimplarile prin care trec protagonistii romanului, evenimentele cele mai putrede si intrigile cele mai tulburatoare din istoria Italiei postbelice Panorama Umberto Eco foloseste anii 90 ca pe o metafora perfecta a vremurilor noastre Acei ani reprezinta simptomul de netagaduit al unei maladii grave, de a considera normal ceea ce nu e ilegalitatile, nenorocirile, comploturile, atentatele cu bomba puse pe seama rosiilor cind, in realitate, sint gindite de negri , cu complicitatea lumii politice care a pastrat intotdeauna tacerea La rindul lor, ziarele ar fi putut sa dezminta, sa declanseze investigatii n au facut o S au retras in umbra, preferind sa si plece capul in fata patronului la Repubblica
Num rul zero In anii un om de afaceri dubios stringe un grup de ziaristi pentru a pregati un numar de proba numarul zero al unui cotidian dedicat mai putin informarii publicului cit santajului si discreditari

  • Title: Numărul zero
  • Author: Umberto Eco Ștefania Mincu
  • ISBN: 9789734653775
  • Page: 390
  • Format: Paperback
  • 1 thought on “Numărul zero”

    1. Umberto Eko ima jedan veliki problem. Naime, njemu naprosto nije dozvoljeno da piše o svim onim temama koje ga interesuju. Kao duhoviti erudita, sasvim je za očekivati da Eko ima širok dijapazon interesovanja, počevši od srednjevekovne istorije Evrope ("Baudolino", "Ime ruže"), istorije katoličke crkve i njenih ogranaka i njenog uticaja na razvoj italijanske države i same Evrope ("Fukoovo klatno"), razvoje i značaja knjige, pismenosti i moći pisane reči ("Ime ruže", "Praško groblje" [...]

    2. "Suspicions never go too far. Suspect, always, suspect, that's the only way you get to the truth. Isn't that what science says?"-- Umberto EcoI'm not sure what it is about aging, but some of my favorite writers DeLillo, Roth, and Eco produce absolutely shit novellas in their later years. DeLillo seems to have hit his high mark with Underworld. Philip Roth with The Plot Against America. The minor books these greats wrote in their later years (Roth's entire Nemesis series, for example) just seem l [...]

    3. Well, I cannot help but to say a few things, in the hope that, though absent, Eco will say something; yes, I mean, what would he say of this time of "fake-news", Trump as president-elect, but above all, about: tomorrow's Italy's referendum.I've heard people speaking about "Italy as a lab", where "trends " show up up first and then reverberate throughout Europe. I hope so. It looks like some new stars [what,5?] are meant to take hold of Italy's power. We'll see TOMORROW. In the meantime, let's re [...]

    4. العدد صفر أمبرتو إيكوباكورة قراءات معرض الكتاب و آخر ما سطر وكتب وأبدع طيب الذكر الإيطالي العظيم أمبرتو إيكو، وكعادته دسم الكتابة غزير الملعلومات كثيفها، قادر على أن يستنفذ كل خلايا مخك لتفكر معه بصوت عالٍ حتى لو كانت روايته لا تتجاوز المئتين من الصفحات،قادر على أن يعيد لك [...]

    5. This is a tale about a rather discontented, failed hack journalist, named Colonna. Colonna feels he did not graduate because of the influence of his university professor - Professor De Sarnis and drifted into work translating. Later, he worked as a journalist and ghostwriter and, it is through this last career of sorts, that he finds himself approached by Professor De Sarnis in middle age. Colonna is asked to ghost write the memoirs of a journalist about setting up a newspaper that is never expe [...]

    6. Sciatto, privo di qualunque costruzione, senza struttura, senza storia, senza personaggi. Di grottesco in questo romanzo c’è solo il fatto che sia stato pubblicato. L’unico pregio che ha è di essere breve, si legge in un paio d’ore: tempo sprecato, ma almeno breve. Molti altri romanzi di Eco non mi avevano convinto, ridondanti e barocchi, inutilmente lunghi, a tratti noiosi. Ma in tutti avevo almeno apprezzato l’idea, la storia, il costrutto logico e i riferimenti culturali. In questo [...]

    7. Well, that was an alright read, with some interesting content but it's not going to go down in history as one of Eco's major novels. As a matter of fact, I hesitate to classify it as a novel. It's more like one of Eco's essays, fleshed out with a bit of plot.The premise: in 1990s Italy, a journalist, Colonna, is hired to work at a news magazine that, he's told up front, will never actually be published. The concept will instead be used to achieve the publisher's political ends, by making certain [...]

    8. Numero Zero is a minor novel by Umberto Eco, the Italian novelist who previously wrote The Name of the Rose (1980) and Foucault's Pendulum (1988). It explores his continuing interests in mass media, media culture, and conspiracy theories, or more specifically, his interest in our cultural obsession with simulacra and counterfeit reality, "Il costume di casa" (Faith In Fakes). Set in 1992 Milan, Eco's novel cleverly weaves fiction with real-life events involving Mussolini, the Red Brigades and th [...]

    9. "Nulti broj" na odličan način prikazuje kako mediji utiču na formiranje javnog mnjenja, i kako se plasiranjem jedne priče lako skreće pažnja javnosti sa drugih, mnogo važnijih tema. Zvuči poznato, zar ne?Naravno, svemu ovome Eko je dodao jednu kafenu kašiku svog opšte poznatog osvrta na teorije zavere, prstohvat samo njemu svojstvenog patriotizma prema "majčici Italiji", i sve to fino upakovao u svega 200 stranica. Preporuka: čitati u dahu, bez uticaja remetilačkih faktora sa strane [...]

    10. العدد صفر آخر روايات الإيطالي الراحل (أمبرتو ايكو) صاحب اسم الوردة، صدرت هذه الرواية سنة 2015 م، وحصلت على ترجمتها العربية قبل أيام – هدية من صديق- في ذات الوقت الذي كنت أتابع فيه لقاءً قديماً مع ايكو حول روايته (مقبرة براغ)، فلذا تحمست للبدء بها من دون إدراجها في خططي القرائية ا [...]

    11. 3.5 starsEco is a master of the intricately plotted conspiracy theory novel. This is a perfect example, despite only being 200 pages long. The short length might make it seem more accessible but there is still a considerable amount to think about, to its benefit.For me, the story itself was less interesting than the themes that underly it. The book is imbued with cynicism; Eco mocks modern journalism, modern society, and the very nature of modern man. He highlights the void between what people s [...]

    12. I went via Bagnera. Absolutly no interest. I crossed here some lost tourists searching for the Expo.Never seing as much of people here and not very refined. Milano is satured. I was complained to go far away from the Duomo to felt in Italy. Thus the last Eco. Strange to have choosen Milano for a book which looks like a thriller. This is not a city which inspires the mistery. Here, all appears so clean, so calm. Luxury and discretion. At 5 pm, I always observe the office exit. This is this discre [...]

    13. Το βιβλίο ήταν ιδιαίτερα μικρό, αλλά το νόημά του μια χαρά το πέρασε! Η αρχή μου φάνηκε κουραστική, πολύ ανάλυση πραγμάτων που τότε δεν φαίνονταν σημαντικά και καθόλου δράση. Μετά τη μέση όμως τα πράγματα πήραν αυτή την ωραία άσχημη (!) τροπή που περίμενα: μια δολοφονία δημοσι [...]

    14. Again book with very low average rating ends on my favorite shelf. In fact I think this book with lowest average rating I read so far. This is the first time my path crossed with Eco's and I can see right away that high praises are more than justified. This is book power of media ad how it can shape and manipulate public opinion, all written with witty style that was just pleasure to read.

    15. Ενδιαφέρον βιβλίο για τη διαφθορά του τύπου, την κοινώς πλέον αποδεκτή αναξιοπιστία του και τις επιπτώσεις στις δυνατότητες ενημέρωσης του πολίτη. Αλλά εάν κάποιος θέλει να ξανανιώσει την ιδιοφυΐα του Έκο, καλύτερα να (ξανα)διαβάσει το Εκκρεμές του Φουκώ.

    16. Phewf – how’s this for a convoluted and dreary premise? Umberto Eco’s latest novel is set in Italy, 1992, where a hack writer is hired by a wealthy chancer to write the story of a newspaper/magazine he will establish – except, while he’ll still hire a staff to create editions full of content, he doesn’t intend to actually publish anything - that’ll apparently threaten the concerns of an even wealthier businessman who’ll get him to shut down the publication with a big payday. What [...]

    17. Certo che Eco non si è sprecato, più che un libro un abbozzo in cui si avverte la fretta di arrivare in fondo, tirando via la vicenda ed altre volte indugiando sui topoi cari all'autore che sembrano un copia/incolla delle sue celebri "bustine".Sempre arguto e qualche volta divertente, ma decisamente un'opera minore e sul tema del complottismo non dice niente di nuovo rispetto alCimitero di Praga, tanto più che i complotti trattati qui sono ormai luogo comune.Tre stelline come quando si dà 7 [...]

    18. مؤسف أنها أقصر مما نتمنى، مؤسف أنها مختلفة عن روايات إيكو الأخرى. لكنها مكتوبة بحرفية، وفيها روح إيكو وإخطبوطيته الغريبة فشكرًا. ولترقد هذه الروح في أمان.

    19. "Slijede li novine težnje ljudi ili ih stvaraju?" "I jedno i drugo. Svijet u početku ne zna koje težnje ima, onda im mi to kažemo i oni shvate da su ih imali.""Ne čine vijesti novine, nego novine čine vijest".Eco, i sam kolumnist u talijanskim listovima i strastveni čitatelj dnevnog tiska, govori o mračnijoj strani medija. Triler o novinarstvu u koji je vješto uklopio svoje omiljene teorije zavjera, istine, laži i manipuliranja. Doista, koliko je danas ostalo od pravog novinarstva? Eco [...]

    20. الرواية مرهقة كثيرًا رغم صغر حجمها، ليس بسبب فكرتها، ولكن بسبب كم المعلومات الواردة بها، أو بمعنى آخر حشو مبالغ به، خاصة أن كثرة الأسماء وصعوبتها جعلتني أشعر بالتشتت بعض الشيءهي أيضًا رواية هامة، خاصة للعاملين مثلي في مجال الصحافة، يتناول من خلالها إيكو كيفية خداع العامة م [...]

    21. 2,5 αστεράκια (επειδή είναι Umberto Eco, το μισό είναι υπέρ του). Η γραφή του Έκο είναι απολαυστική όπως πάντα και το θέμα της συνωμοσιολογίας γύρω από το θάνατο του Μουσολίνι και του τρόπου με τον οποίο λειτουργεί η πληροφόρηση από τα μέσα ενημέρωσης είναι πολύ ενδιαφέρον, ανήκει [...]

    22. Declaração de interesses #1 - Este é o primeiro livro que leio de Umberto EcoDeclaração de interesses #2 - Sou jornalista. Actualmente em stand by, mas jornalista.Nunca li "O Nome da Rosa" nem sei se o farei mas, assim que bati com os olhos neste novo livro de Umberto Eco, fui incapaz de o ignorar. Parti às cegas, sem saber o que estava por detrás deste "Número Zero". Não sabia se era edição recente ou reedição de livro antigo. Li a sinopse e, enquanto não o devorei, foi um desasso [...]

    23. “E’ la stampa, bellezza. E tu non puoi farci niente”L’apertura di un numero zero di un quotidiano – e l’organizzazione di una redazione giornalistica adatta allo scopo, che è quello di impadronirsi di fatti non ancora avvenuti e manovrarli “su ordinazione”- e la quasi contemporanea chiusura del medesimo ancora prima che venga pubblicato inglobano nella narrazione la situazione del giornalismo italiano e del sistema delle notizie, che, grazie alla collocazione dei fatti nel 1992, [...]

    24. Όταν αγόρασα το βιβλίο η περίληψη του μου φάνηκε πολλά υποσχόμενη. Όταν ξεκίνησα να το διαβάζω η πρώτη μου εντύπωση ήταν ότι με βομβαρδίζουν με "άχρηστες" πληροφορίες και περιγραφές (π.χ. σελίδες ολόκληρες με περιγραφές χαρακτηριστικών αυτοκινήτου *????* ). Κάπου στη μέση σκέφ [...]

    25. Ne znam zasto je ocena 3.08Ovo je jedna odlicna knjiga koja prikazuje pravu stranu medija i naravno da ne izostavim tajna drustva i teorije zavere

    26. حتماً مثلما قال العراب من قبل لكل كاتب أيقونته الرئيسة التي يتحول بعدها كل عمل آخر إلى : ولكنها ليست مثل **** كان هذا ما يدور برأسي عند قراءة (العدد صفر) ولكنها ليست (اسم الوردة) !! العمل الأيقونة لإيكو (لأني لم أقرأ بعد : بندول فوكو - مقبرة براج) الرواية متوسطة المستوى من كاتب بقا [...]

    27. Ci sono tutti gli ingredienti preferiti di Umberto Eco. Il complottismo come arte ludica di impastare fatti veri in trame false. Il gusto di intelligere o inventare il collegamento "di tutto con tutto". L'affaccio sulla terza dimensione del tempo (si passa dall'Isola del giorno dopo al quotidiano scritto oggi con i fatti di domani). Il valore igienico del ridere. Il fascino dei perdenti-buoni (Eco li fa sempre innamorare). Il piacere di giocare a nascondino con le parole e le informazioni. Il so [...]

    28. Η απολαυστική, σπιρτόζα δεινότητα του Eco σε μια πιο σύντομη εκδοχή της όσον αφορά το μέγεθος του βιβλίου μπλέκεται αρμονικά με τις αναφορές του στην συνωμοσιολογία αλλά και με τον σαρκασμό του σε ό,τι έχει να κάνει με τον Τύπο και τις (μάλλον συνήθεις) πρακτικές των εκπροσώπ [...]

    29. A while ago I read Umberto Eco's novel 'The Name of the Rose' and in spite of the great reviews I was rather disappointed so not really sure why I agreed to read another of his books. Having received the book I decided to read other reviews to get a flavour of the novel and was again a little disappointed at the poor write ups. Once I started reading it I was pleasantly surprised and read the first two thirds very quickly such was my interest but unfortunately it didn't hold my attention through [...]

    30. Fiquei rendida ao humor inteligentemente cáustico de Eco, assim como às referências literárias, muito oportunas, que vão surgindo ao longo da narrativa: Edgar Allan Poe, Robert Musil, entre outros, enriquecem uma história, ou várias histórias, hilariantemente ficcionadas mas que poderiam ser verdade.O comendador Vimercate, personagem que surge apenas citada, homem poderoso do círculo político-financeiro italiano, encarrega um jornalista seu amigo, Simel, para editar um jornal muito sui [...]

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